Machine Learning in the Eyes of a Painting Conservator Publisher: 91³Ô¹ÏÍø
As a conservator specializing in paintings, I first got in contact with machine (deep) learning in 2015, when I was working as part of a team of conservators from the Royal Institute for Cultural Heritage (KIK-IRPA) restoring the Ghent Altarpiece (1426) by the van Eyck brothers.
Related Articles
Revealing and Reconstructing Hidden or Lost Features in Art Investigation
In recent decades, cultural heritage research—and in particular art investigation—has been undergoing a digital revolution. This is due both to improvements ...
Support for AI Research at the Arts and Humanities Research Council
The Arts and Humanities Research Council (AHRC), part of UK Research and Innovation (UKRI) has supported independent academic research involving information processing tools since its founding in 2005.
Reducing Bias in AI-Based Analysis of Visual Artworks
Empirical research in science and the humanities is vulnerable to bias which, by definition, implies incorrect or misleading findings. Artificial intelligenc...